THE GIRLS OF MURDER CITY:
Publishers Weekly:
This jaunty retrospective of two Jazz Age trials introduces us to the real-life originals of the killer ladies of the musical Chicago -- and to the society that adored them. Journalist Perry (The Sixteenth Minute: Life in the Aftermath of Fame) revisits the 1924 cases of Belva Gaertner, a swanky divorcée, and Beulah Annan, a beautiful married woman, both accused of shooting their lovers to death. They were the most photogenic on Cook County jail’s “Murderess’ Row” of defendants in a spate of woman-on-man killings that inflamed the press and captivated a public grown bored with gangland murders. (Perry’s third heroine is skeptical female reporter Maurine Watkins, who bemoaned the inability of all-male Chicago juries to convict killers with pretty faces.) The author gives an entertaining, wised-up rundown of the cases and the surrounding media hoopla, which the defendants and their lawyers cannily manipulated. (Annan hired a fashion consultant for court appearances and falsely declared herself pregnant to win sympathy.) Beneath the sensationalism, Perry finds anxieties about changing sex roles as feisty flappers and aggressive career women barged into public consciousness; his savvy, flamboyant social history illuminates a dawning age of celebrity culture.
Booklist: (starred review):
Maurine Watkins, a "girl reporter" with the Chicago Tribune in the 1920s, was the first to cover the sensational story of two jazz-age women who killed their men with the insouciance they gave to filing their nails or rolling their stockings. Decades later, Bob Fosse made the pair of stylish killers internationally famous through his hit musical Chicago. In this account, journalist Perry illuminates both the murderesses who held court at Cook County Jail and the newspaper writers who showcased them. This is as much a book about journalism and social history as it is about crime. Perry re-creates the world of The Front Page with vivid details from the era, including the workings of the Linotype machine, which allowed papers to expand from only a few pages in the late-nineteenth century to several multipaged editions a day. In Chicago, six papers engaged in vicious competition. At the center of the fray were the headline-grabbing stories, often concerning crime--and especially women committing murder, a phenomenon that increased 400 percent in 40 years. We follow shy Maurine Watkins, who left graduate school in classics at Radcliffe, as she is hired by the Tribune on a fluke and then goes on to get in-depth interviews and complete trial coverage of "Beautiful Beulah" Annan and "Stylish Belva" Gaertner, the models for Roxie Hart and Velma Kelly. This is a well-researched, fast-paced story behind the story.
Stratton Magazine:
"Mr. Perry imparts the same kind of twisted likability to the characters in his book that made the women so fascinating and dangerous in life. Even if you try to keep the bloody origins of their celebrity in some kind of rational perspective, you still may find yourself drawn into the silken webs spun by The Girls of Murder City. I know I did."
More:
>> Chicago Tribune
>> PopMatters
>> New City Chicago
>> Blogcritics.org.
>> Library Journal
>> Bookgasm
>> St. Petersburg Times
>> A Cineaste's Bookshelf
>> Scandalous Book Review
>> Upon a Midnight Dreary
>> Corduroy Books
>> Shelf Awareness
Publishers Weekly:
This jaunty retrospective of two Jazz Age trials introduces us to the real-life originals of the killer ladies of the musical Chicago -- and to the society that adored them. Journalist Perry (The Sixteenth Minute: Life in the Aftermath of Fame) revisits the 1924 cases of Belva Gaertner, a swanky divorcée, and Beulah Annan, a beautiful married woman, both accused of shooting their lovers to death. They were the most photogenic on Cook County jail’s “Murderess’ Row” of defendants in a spate of woman-on-man killings that inflamed the press and captivated a public grown bored with gangland murders. (Perry’s third heroine is skeptical female reporter Maurine Watkins, who bemoaned the inability of all-male Chicago juries to convict killers with pretty faces.) The author gives an entertaining, wised-up rundown of the cases and the surrounding media hoopla, which the defendants and their lawyers cannily manipulated. (Annan hired a fashion consultant for court appearances and falsely declared herself pregnant to win sympathy.) Beneath the sensationalism, Perry finds anxieties about changing sex roles as feisty flappers and aggressive career women barged into public consciousness; his savvy, flamboyant social history illuminates a dawning age of celebrity culture.
Booklist: (starred review):
Maurine Watkins, a "girl reporter" with the Chicago Tribune in the 1920s, was the first to cover the sensational story of two jazz-age women who killed their men with the insouciance they gave to filing their nails or rolling their stockings. Decades later, Bob Fosse made the pair of stylish killers internationally famous through his hit musical Chicago. In this account, journalist Perry illuminates both the murderesses who held court at Cook County Jail and the newspaper writers who showcased them. This is as much a book about journalism and social history as it is about crime. Perry re-creates the world of The Front Page with vivid details from the era, including the workings of the Linotype machine, which allowed papers to expand from only a few pages in the late-nineteenth century to several multipaged editions a day. In Chicago, six papers engaged in vicious competition. At the center of the fray were the headline-grabbing stories, often concerning crime--and especially women committing murder, a phenomenon that increased 400 percent in 40 years. We follow shy Maurine Watkins, who left graduate school in classics at Radcliffe, as she is hired by the Tribune on a fluke and then goes on to get in-depth interviews and complete trial coverage of "Beautiful Beulah" Annan and "Stylish Belva" Gaertner, the models for Roxie Hart and Velma Kelly. This is a well-researched, fast-paced story behind the story.
Stratton Magazine:
"Mr. Perry imparts the same kind of twisted likability to the characters in his book that made the women so fascinating and dangerous in life. Even if you try to keep the bloody origins of their celebrity in some kind of rational perspective, you still may find yourself drawn into the silken webs spun by The Girls of Murder City. I know I did."
More:
>> Chicago Tribune
>> PopMatters
>> New City Chicago
>> Blogcritics.org.
>> Library Journal
>> Bookgasm
>> St. Petersburg Times
>> A Cineaste's Bookshelf
>> Scandalous Book Review
>> Upon a Midnight Dreary
>> Corduroy Books
>> Shelf Awareness
